Talking Craft - Making Identity - Ceramics

How do craft and "making" affect the construction of who we are?

Talking Craft - Making Identity - Ceramics

How do craft and "making" affect the construction of who we are?

Thursday Jan 26 2017 TSRB(room 125) 85 Fifth Str Atlanta

Thursday Jan 26 2017 TSRB(room 125) 85 Fifth Str Atlanta
10:00
Ehren Tool
talk + crafting session

"I just make cups.
I would like to steal my artist statement. Written in stone on the Indiana War Memorial Building is 'To vindicate the principles of peace and justice in the world'.
I would like my work to vindicate the principles of peace and justice in the world.
That is a lot to ask of a cup."

“The images on the cups are often graphic and hard to look at. You may be for or against a particular war but I think it is too easy for us to look away. I think we as a country and as humans should look at what is actually going on.”

Ehren Tool is a ceramic artist and Senior Laboratory Mechanician at the Ceramic Department at University of California, Berkeley, and Marine Veteran of the 1991 Gulf War.
Tool received his MFA from the University of California, Berkeley and BFA from the University of Southern California and has exhibited his vessels at the Oakland Museum of California, the Craft and Folk Art Museum, the Berkeley Art Center, the Bellevue Arts Museum, and The Clay Studio among others.

11:30
Panel Discussion: Identity and Craft?
Darien Oliver Arikoski-Johnson (GSU)
John A Burrison (GSU)
Moderator
Michael Nitsche (Georgia Tech)
Portrait of Darien Arikoski-Johnson
Darien Arikoski-Johnson

Known for incorporating the “glitch” aesthetic into ceramic vernacular, A-Johnson’s work address thoughts of memory, technological integration, mark making, and the significance of rendering. He found clay to be a relevant medium to explore the relationship of illusion and form, thought and physicality. A-Johnson has continued the exploration of these ideas and processes through multiple relocations, including time spent as a visiting artist at the College of Creative Studies in Detroit, and an Assistant Professor at Buffalo State College. He most recently transitioned from being a full time studio artist in Copenhagen, Denmark to join Georgia State University, Atlanta, GA as an Assistant Professor. A-Johnson’s work has been recognized nationally and internationally through awarded grants, exhibitions, and residencies. In 2012 he was awarded the Emerging Artist Award through NCECA, and most recently received an exhibition grant from the Danish Cultural Ministry to complete a residency and exhibition opportunity through C.R.E.T.A. Rome.

Portrait of John Burrison
John Burrison
John A. Burrison is Regents Professor of English and Director of the Folklore Curriculum at Georgia State University. He also serves as curator of the Atlanta History Museum’s Folklife Gallery and of the Folk Pottery Museum of Northeast Georgia at Sautee Nacoochee. His publications include Brothers in Clay: The Story of Georgia Folk Pottery, From Mud to Jug: The Folk Potters and Pottery ofNortheast Georgia, Shaping Traditions: Folk Arts in a Changing South, Roots of a Region: Southern Folk Culture, and the forthcoming Global Clay: Themes in World Ceramic Traditions.
Portrait of Michael Nitsche
Michael Nitsche
Michael Nitsche is the Director of Graduate Studies for the Digital Media program in the School of LMCat the Georgia Institute of Technology where he teaches mainly on issues of hybrid spaces and what we do in them. He uses Performance Studies, craft research, HCI, and media studies as critical approaches and applies them to interaction design for digital media, mobile technology, and digital performances. He directs the Digital World and Image Group, which has received funding from the NSF, Alcatel Lucent, Turner Broadcasting, and GCATT, among others. Nitsche’s publications include the books Video Game Spaces (Cambridge, 2009) and The Machinima Reader (Cambridge, 2011) (co-edited with Henry Lowood, both MIT Press)
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