Over the two years of this program, EMMA iterations occurred in two separate phases, with each phase revolving around how digital media will intervene and manifest in this work. The first phase focused on the use of LEDs embedded in the crafted artifact, and the second focused on a touch sensor embedded in the crafting tool.
Revisiting Rosner's Spyn as well as the conversation with the grief counselor, I pivoted the project in two ways. First, inspired by Rosner, I decided to intervene in a crafting tool in order to keep the finished crafted artifact free of circuits and to maintain the cultural and practical integrity of paper piecing. Second, I wanted digital media to serve as a window for communal grieving in order to create space for the collective validation the counselor mentioned.
I prototyped a capacitive touch sensor unto a sewing template and ran code that turned on a light when touched. touch sensor didn’t cover the full surface area of the template, and its fixed placement meant users were limited to that single template shape. I also prototyped a container for EMMA's hardware components. By enhancing the tool, the exchange between maker and materials remained unaltered, and to maintain that balance of engagement, I considered a web connection could serve as visual output for the tactile input. This web interface would then serve a dual purpose: keep the handcrafted artifact free of circuits, and open a channel to communal grieving. Moreover, the output, depending on design, may add value to the quilting process by means of further facilitating a mindful experience, another design guideline.